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CODE OF ABBREVIATIONS


SONGBOOK
(2005)


General, Dein Tank ist ein starker Wagen (1972)
(Text: Berthold Brecht)
Instrumentation:
Voice (medium), Fl, 2 Cl, 2 Fg, 2 Trp, Trb, Pno, Hfe, Cb, Drum-Set
UA Hamburg 1972


Lauf, lauf, Prolet (1972)
- Ballad to the paragraph 111 of the Weimar constitution -
(Text: Berthold Brecht)
Instrumentation:
Voice (medium), 2st. gemCh, Tenorsax, Trb, Vc, Pno, Drum-Set
UA Hamburg 1972


Gleichberechtigungs-Song (1973)
(Text: Die Hamburger Liedermacher)
Instrumentation:
Voice (medium), 2st. gemCh, Trp, Tenorsax, Trb, Git,, Vc, Pno, Drum-Set
UA Recklinghausen, Ruhrfestspiele 1974


Die Besetzung des Rollgangs (1973)
- Song from Cantata „Streik bei Mannesmann“ -
(Text: Erika Runge)
Instrumentation:
Voice (medium), gemCh, Cl, Trp, Trb, Pno, Vc, Perc (1 player)
UA Hamburg 1974

More Infos: WORKS IN CO-OPERATION "Streik bei Mannesmann"


Chile-Lied (1974)
(Text: Peter Schütt)
Instrumentation:
Voice (medium), Trb, Pno
UA Hamburg 1974


Mitbestimmungslied (1974)
(Text: Lieselotte Rauner)
Instrumentation:
Voice (medium), 2st. gemCh, Trp, Tenorsax, Trb, Vc, Pno, Drum-Set
UA Hamburg 1974


Familie Schmidt (1975)
(Text: alte Moritat)
Instrumentation:
Voice (medium), 3 Cl, prePno

More Infos: PRODUCTIONS "Familie Schmidt"


Lobgesang auf die Küche ("Saugt ein den Duft") (1980)
Song from the musical "Komm, Collie, wir gehen ins Öl"
(Text: Hinz&Kunst)
Instrumentation:
Tenor, 2 Baritones, Altsax, Trp, Trb, Akk, E-Git, Drum-Set
UA Graz, Steirischer Herbst 1980

More Infos: WORKS IN CO-OPERATION "Komm, Collie, wir gehen ins Öl"


Betty´s Song ("Komm zu mir, Collins") (1980)
Song from the musical "Komm, Collie, wir gehen ins Öl."
(Text: Hinz&Kunst)
Instrumentation:
Mezzosoprano, Altsax, Trp, Trb, Pno, E-Bassgit, Drum-Set
UA Graz, Steirischer Herbst 1980

More Infos: WORKS IN CO-OPERATION "Komm, Collie, wir gehen ins Öl"


Song der Seelenfinger ("Einst lag meine Seele") (1980)
Song from the musical "Komm, Collie, wir gehen ins Öl."
(Text: Hinz&Kunst)
Instrumentation:
Soprano, Cl, Trp, Trb, Pno, E-Bassgit, Vibr
UA Graz, Steirischer Herbst 1980

More Infos: WORKS IN CO-OPERATION "Komm, Collie, wir gehen ins Öl"


Duett Betty / Collins ("Bislang ist es gelungen") (1980)
Song from the musical "Komm, Collie, wir gehen ins Öl."
(Text: Hinz&Kunst) 
Instrumentation:
Soprano, Tenor, Altsax, Trp, Trb, Pno, E-Bassgit, Drum-Set
UA Graz, Steirischer Herbst 1980

More Infos: WORKS IN CO-OPERATION "Komm, Collie, wir gehen ins Öl"


Arie der Seelenfinger ("Ich trag´ Deinen Sarg ") (1980)
Song from the musical "Komm, Collie, wir gehen ins Öl."  
(Text: Hinz&Kunst)
Instrumentation:
Soprano, Cl (Baritonsax), Trp, Trb, Pno, E-Git (E-Bassgit), Drum-Set (plus Vibr)
UA Graz, Steirischer Herbst 1980

More Infos: WORKS IN CO-OPERATION "Komm, Collie, wir gehen ins Öl"


Duett Betty / Collins ("Congratulation ") (1980)
Song from the musical "Komm, Collie, wir gehen ins Öl."   
(Text: Hinz&Kunst) 
Instrumentation:
Soprano, Tenor, Altsax, Trp, Trb, Pno, E-Bassgit, Drum-Set
UA Graz, Steirischer Herbst 1980

More Infos: WORKS IN CO-OPERATION "Komm, Collie, wir gehen ins Öl"


Reißt auf das Tor zur gold´nen Zeit! (1980)
Song from the musical "Komm, Collie, wir gehen ins   Öl."   
(Text: Hinz&Kunst) 
Instrumentation:
Soprano, Mezzosoprano, Tenor, Men‘s chorus, Altsax, Trp, Trb, Pno (Org),
E-Bassgit, Drum-Set
UA Graz, Steirischer Herbst 1980

More Infos: WORKS IN CO-OPERATION "Komm, Collie, wir gehen ins Öl"


Im Käfig (1989)
Song from Tucholsky-revue "Schweigen und Vorübergehen"
(Text: Kurt Tucholsky)
Instrumentation:
Voice (medium), Cl, Git, Pno, Drum-Set (plus Vibr)
UA Hamburg 1989

More Infos: VOCAL-INSTRUMENTAL "Tucholsky - Songs"


An Peter Panther (1989)
Song from Tucholsky-revue "Schweigen und Vorübergehen"
(Text: Kurt Tuchulsky)
Instrumentation:
Voive (high), Voice (medium), Altsax, E-Bassgit, Pno, Drum-Set
UA Hamburg 1989

More Infos: VOCAL-INSTRUMENTAL "Tucholsky - Songs"


Meeting (1989)
Song from Tucholsky-revue "Schweigen und Vorübergehen"
(Text: Kurt Tuchulsky)
Instrumentation:
Voice (medium), Altsax, E-Bassgit, Pno, Drum-Set
UA Hamburg 1989

More Infos: VOCAL-INSTRUMENTAL "Tucholsky - Songs"


Monolog mit Chören (1989)
Song from Tucholsky-revue "Schweigen und Vorübergehen"
(Text: Kurt Tuchulsky)
Instrumentation:
Voice (medium), gemCH, Altsax, E-Bassgit, Pno, Drum-Set
UA Hamburg 1989

More Infos: VOCAL-INSTRUMENTAL "Tucholsky - Songs"


Parc Monceau (1989)
Song from Tucholsky-revue "Schweigen und Vorübergehen"
(Text: Kurt Tuchulsky)
Instrumentation:
Voice (medium), Altsax, E-Bassgit, Pno, Drum-Set
UA Hamburg 1989

More Infos: VOCAL-INSTRUMENTAL "Tucholsky - Songs"


Kleines Glockenspiel (1989)
Song from Tucholsky-revue "Schweigen und Vorübergehen"
(Text: Kurt Tuchulsky)
Instrumentation:
Voice (medium), Altsax, E-Bassgit, Pno, Drum-Set
UA Hamburg 1989

More Infos: VOCAL-INSTRUMENTAL "Tucholsky - Songs"


Sie schläft (1989)
Song from Tucholsky-revue "Schweigen und Vorübergehen"
(Text: Kurt Tuchulsky)
Instrumentation:
Voice (medium),Pno
UA Hamburg 1989

More Infos: VOCAL-INSTRUMENTAL "Tucholsky - Songs"


Der Winter kalt (1991)
Lied from the cycle "Kernlieder"
(Text: anonym)
Instrumentation:
Voice (medium), Pno
UA   Kitchener, Ontario (Kanada) 1991

More Infos: VOCAL-INSTRUMENTAL "Kernlieder"


8. Mai 95 (1995)
(Text: Joachim Fuhrmann)
Instrumentation:
Voice (medium), Pno
UA Kassel l995


Frühling, spring! (1998)
(Text: Berhard Laux)
Besetzung
Voice (medium),2 Trp, Euphonium, Pno
UA Hamburg 1998


Freizeitbeschäftigung (1998)
(Text: Berhard Laux)
Instrumentation:
Voice (medium),2 Trp, Euphonium, Pno
UA Hamburg 1998


Schlußfolgerung (1998)
(Text: Berhard Laux)
Instrumentation:
Voice (medium), Euphonium, Pno
UA Hamburg 1998


Come come and listen to the music (2001)
(Text: Thomas Jahn)
Instrumentation:
Voice (medium), Akk, Pno
UA Hamburg 2001


Simone (2001)
Song from "Zehn Portraits"
(Text: Thomas Jahn after copies of a co-operation with 10 female authors)
Instrumentation:
Voice (medium), Pno
UA Hamburg 2001

More Infos: PRODUCTIONS "Zehn Portraits"


Claudia (2001)
Terzett from "Zehn Portraits"
(Text: Thomas Jahn after copies of a co-operation with 10 female authors)
Instrumentation:
3 Voices (medium), Pno
UA Hamburg 2001

More Infos: PRODUCTIONS "Zehn Portraits"


Nadine (2001)
Song from "Zehn Portraits"
(Text: Thomas Jahn after copies of a co-operation of female authors)
Instrumentation:
Voice (medium), Pno
UA Hamburg 2001

More Infos: PRODUCTIONS "Zehn Portraits"


Lara (2001)
Trio from "Zehn Portraits"
(Text: Thomas Jahn after copies of a co-operation of female authors)
Instrumentation:
3 Voices (medium), Pno
UA Hamburg 2001

More Infos: PRODUCTIONS "Zehn Portraits"


Kristina (2001)
Song from "Zehn Portraits"
(Text: Thomas Jahn after copies of a co-operation of female authors)
Instrumentation:
Voice (medium), Pno
UA Hamburg 2001

More Infos: PRODUCTIONS "Zehn Portraits"


Michaela (2001)
Song from "Zehn Portraits"
(Text: Thomas Jahn after copies of a co-operation of female authors)
Instrumentation:
Voice (medium), Pno
UA Hamburg 2001

More Infos: PRODUCTIONS "Zehn Portraits"


Bithja (2001)
Duett from "Zehn Portraits"
(Text: Thomas Jahn after copies of a co-operation of female authors)
Instrumentation:
2 Voices (medium), Pno
UA Hamburg 2001

More Infos: PRODUCTIONS "Zehn Portraits"


Beate (2001)
Song from "Zehn Portraits"
(Text: Thomas Jahn after copies of a co-operation of female authors)
Instrumentation:
Voice (medium), Pno
UA Hamburg 2001

More Infos: PRODUCTIONS "Zehn Portraits"


Sara (2001)
Duett from "Zehn Portraits"
(Text: Thomas Jahn after copies of a co-operation of female authors)
Instrumentation:
2 Voices (medium), Pno
UA Hamburg 2001

More Infos: PRODUCTIONS "Zehn Portraits"


Karolin (2001)
Song from "Zehn Portraits"
(Text: Thomas Jahn after copies of a co-operation of female authors)
Instrumentation:
Voice (medium), Pno
UA Hamburg 2001

More Infos: PRODUCTIONS "Zehn Portraits"


Das Intervall, nur eine Zahl? (2004)
(Text: Thomas Jahn)
Instrumentation:
Voice (medium), Pno
UA Hamburg 2004


Lied von der Quinte (2004)
(Text: Thomas Jahn after a copy from Katharina Flor)
Instrumentation:
2 Voices, 2 Fl, Pno
UA Hamburg 2004


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